{"id":51,"date":"2026-05-22T00:39:48","date_gmt":"2026-05-22T03:39:48","guid":{"rendered":"https:\/\/ethevaldo.com.br\/index.php\/2026\/05\/22\/mostra-de-cinema-de-sao-paulo-2020-lista-de-filmes\/"},"modified":"2026-05-22T00:39:48","modified_gmt":"2026-05-22T03:39:48","slug":"mostra-de-cinema-de-sao-paulo-2020-lista-de-filmes","status":"publish","type":"post","link":"https:\/\/ethevaldo.com.br\/index.php\/2026\/05\/22\/mostra-de-cinema-de-sao-paulo-2020-lista-de-filmes\/","title":{"rendered":"Mostra de Cinema de S\u00e3o Paulo 2020: lista de filmes"},"content":{"rendered":"

A 44\u00aa edi\u00e7\u00e3o da Mostra Internacional de Cinema de S\u00e3o Paulo acontece online este ano por conta da pandemia do novo coronav\u00edrus. Segue a lista dos filmes que ser\u00e3o exibidos na plataforma digital Mostra Play, e nos streamings do Sesc e da SPCine.<\/p>\n\n\n\n\n\n\n\n\n<\/colgroup>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
<\/td>\nT\u00cdTULO BR<\/strong><\/td>\nORIGINAL<\/strong><\/td>\nDIRE\u00c7\u00c3O<\/strong><\/td>\nPA\u00cdS<\/strong><\/td>\nANO<\/strong><\/td>\nMINUTOS<\/strong><\/td>\n<\/tr>\n
1<\/td>\n9,75<\/td>\n9,75<\/td>\nUlu\u00e7 Bayraktar<\/td>\nTurquia<\/td>\n2020<\/td>\n117<\/td>\n<\/tr>\n
2<\/td>\n499<\/td>\n499<\/td>\nRodrigo Reyes<\/td>\nM\u00e9xico, EUA<\/td>\n2020<\/td>\n87<\/td>\n<\/tr>\n
3<\/td>\n1986<\/td>\n1986<\/td>\nLothar Herzog<\/td>\nAlemanha, Bielorussia<\/td>\n2019<\/td>\n77<\/td>\n<\/tr>\n
4<\/td>\n#eagoraoque<\/td>\n#Eagoraoque<\/td>\nJean-Claude Bernardet, Rubens Rewald<\/td>\nBrasil<\/td>\n2020<\/td>\n70<\/td>\n<\/tr>\n
5<\/td>\n17 Quadras<\/td>\n17 Blocks<\/td>\nDavy Rothbart<\/td>\nEUA<\/td>\n2019<\/td>\n96<\/td>\n<\/tr>\n
6<\/td>\nA Arte de Derrubar<\/td>\nThe Art Of Fallism<\/td>\nAslaug Aars\u00e6ther, Gunnbj\u00f8rg Gunnarsdottir<\/td>\nNoruega, Africa do Sul<\/td>\n2019<\/td>\n74<\/td>\n<\/tr>\n
7<\/td>\nA Deusa dos Vagalumes<\/td>\nGoddess Of The Fireflies<\/td>\nAna\u00efs Barbeau-Lavalette<\/td>\nCanad\u00e1<\/td>\n2020<\/td>\n?<\/td>\n<\/tr>\n
8<\/td>\nA Herdade<\/td>\nA Herdade<\/td>\nTiago Guedes<\/td>\nPortugal, Fran\u00e7a<\/td>\n2019<\/td>\n166<\/td>\n<\/tr>\n
9<\/td>\nA Marina<\/td>\nLa Marina<\/td>\n\u00c9tienne Galloy & Christophe Levac<\/td>\nCanad\u00e1<\/td>\n2019<\/td>\n120<\/td>\n<\/tr>\n
10<\/td>\nA Morte do Cinema e do Meu Pai Tamb\u00e9m<\/td>\nThe Death of Cinema and My Father Too<\/td>\nDani Rosenberg<\/td>\nIsrael<\/td>\n2020<\/td>\n103<\/td>\n<\/tr>\n
11<\/td>\nA Pastora e as Sete Can\u00e7\u00f5es<\/td>\nLaila Aur Satt Geet<\/td>\nPushpendra Singh<\/td>\nIndia<\/td>\n2020<\/td>\n96<\/td>\n<\/tr>\n
12<\/td>\nA Sa\u00edda dos Trens<\/td>\nIe\u015firea Trenurilor Din Gar\u0103<\/td>\nRadu Jude, Adrian Ciofl\u00e2nc\u0103<\/td>\nRom\u00eania<\/td>\n2020<\/td>\n175<\/td>\n<\/tr>\n
13<\/td>\nA Terra \u00c9 Azul Como Uma Laranja<\/td>\nThe Earth Is Blue As An Orange<\/td>\nIryna Tsilyk<\/td>\nUcr\u00e2nia<\/td>\n2020<\/td>\n74<\/td>\n<\/tr>\n
14<\/td>\nA Vida na Estrada<\/td>\nLife On The Road<\/td>\nSidra Rezwan – Salwa Soleiman Sedo – Ekhlas Heydar Samubud- Adnan Faroq<\/td>\nSiria<\/td>\n2020<\/td>\n74<\/td>\n<\/tr>\n
15<\/td>\nA Visita<\/td>\nLAI FANG\/ VISIT<\/td>\nJia Zhang-ke<\/td>\nChina<\/td>\n2020<\/td>\n4<\/td>\n<\/tr>\n
16<\/td>\nAl-Shafaq \u2013 Quando o C\u00e9u Se Divide<\/td>\nAl Shafaq<\/td>\nEsen Isik<\/td>\nSui\u00e7a<\/td>\n2019<\/td>\n98<\/td>\n<\/tr>\n
17<\/td>\nAna. Sem T\u00edtulo<\/td>\nAna. Sem T\u00edtulo<\/td>\nLucia Murat<\/td>\nBrasil<\/td>\n2020<\/td>\n100<\/td>\n<\/tr>\n
18<\/td>\nAnerca, Respira\u00e7\u00e3o da Vida<\/td>\nAnerca, El\u00e4m\u00e4n Hengitys<\/td>\nMarkku Lehmuskallio, Johannes Lehmuskallio<\/td>\nFinl\u00e2ndia<\/td>\n2020<\/td>\n87<\/td>\n<\/tr>\n
19<\/td>\nAnima<\/td>\nAnima<\/td>\nReza Golchin<\/td>\nIr\u00e3<\/td>\n2020<\/td>\n75<\/td>\n<\/tr>\n
20<\/td>\nAnimais Nus<\/td>\nNackte Tiere<\/td>\nMelanie Waelde<\/td>\nAlemanha<\/td>\n2020<\/td>\n83<\/td>\n<\/tr>\n
21<\/td>\nAo Entardecer<\/td>\nIn The Dusk<\/td>\nSharunas Bartas<\/td>\nLituania, Fran\u00e7a, Servia<\/td>\n2019<\/td>\n128<\/td>\n<\/tr>\n
22<\/td>\nApenas Mortais<\/td>\nBeing Mortal<\/td>\nLiu Ze<\/td>\nChina<\/td>\n2019<\/td>\n98<\/td>\n<\/tr>\n
23<\/td>\nAra\u00f1a<\/td>\nAra\u00f1a<\/td>\nAndr\u00e9s Wood<\/td>\nChile, Argentina, Brasil<\/td>\n2019<\/td>\n105<\/td>\n<\/tr>\n
24<\/td>\nAs \u00d3rbitas da \u00c1gua<\/td>\nAs \u00d3rbitas Da \u00c1gua<\/td>\nFrederico Machado<\/td>\nBrasil<\/td>\n2020<\/td>\n72<\/td>\n<\/tr>\n
25<\/td>\nAs Veias do Mundo<\/td>\nDIE ADERN DER WELT<\/td>\nByambasuren Davaa<\/td>\nAlemanha, Mongolia<\/td>\n2020<\/td>\n96<\/td>\n<\/tr>\n
26<\/td>\nAssim Como Acima, Abaixo<\/td>\nKama Fissamaa, Kathalika Ala Al-Ard<\/td>\nSarah Francis<\/td>\nL\u00edbano<\/td>\n2020<\/td>\n70<\/td>\n<\/tr>\n
27<\/td>\nAssim Desse Jeito<\/td>\nAise Hi<\/td>\nKislay<\/td>\nIndia<\/td>\n2019<\/td>\n109<\/td>\n<\/tr>\n
28<\/td>\nBeans<\/td>\nBeans<\/td>\nTracey Deer<\/td>\nCanad\u00e1<\/td>\n2020<\/td>\n92<\/td>\n<\/tr>\n
29<\/td>\nBerlin Alexanderplatz<\/td>\nBerlin Alexanderplatz<\/td>\nBurhan Qurbani<\/td>\nAlemanha, Holanda, Fran\u00e7a, Canada<\/td>\n2020<\/td>\n182<\/td>\n<\/tr>\n
30<\/td>\nCalazar<\/td>\nKala Azar<\/td>\nJanis Rafa<\/td>\nHolanda<\/td>\n2020<\/td>\n90<\/td>\n<\/tr>\n
31<\/td>\nCaminhando Contra o Vento<\/td>\nStriding Into the Wind<\/td>\nShujun Wei<\/td>\nChina<\/td>\n2020<\/td>\n130<\/td>\n<\/tr>\n
32<\/td>\nCandango: Mem\u00f3rias do Festival<\/td>\nCandango: Mem\u00f3rias do Festival<\/td>\nLino Meireles<\/td>\nBrasil<\/td>\n2020<\/td>\n119<\/td>\n<\/tr>\n
33<\/td>\nCasa de Antiguidades<\/td>\nCasa de Antiguidades<\/td>\nJo\u00e3o Paulo Miranda Maria<\/td>\nBrasil, Fran\u00e7a<\/td>\n2020<\/td>\n87<\/td>\n<\/tr>\n
34<\/td>\nCasulo<\/td>\nKokon<\/td>\nLeonie Krippendorff<\/td>\nAlemanha<\/td>\n2020<\/td>\n95<\/td>\n<\/tr>\n
35<\/td>\nCavaleiro de Ver\u00e3o<\/td>\nXia Ye Qi Shi<\/td>\nXing YOU<\/td>\nChina<\/td>\n2019<\/td>\n100<\/td>\n<\/tr>\n
36<\/td>\nChico Rei Entre N\u00f3s<\/td>\nChico Rei Entre N\u00f3s<\/td>\nJoyce Prado<\/td>\nBrasil<\/td>\n2020<\/td>\n93<\/td>\n<\/tr>\n
37<\/td>\nChico Ventana Queria Ter um Submarino<\/td>\nChico Ventana Tambi\u00e9n Quisiera Tener Un Submarino<\/td>\nAlex Piperno<\/td>\nUruguai, Argentina, Brasil<\/td>\n2020<\/td>\n110<\/td>\n<\/tr>\n
38<\/td>\nCiclo Solit\u00e1rio<\/td>\nYA YI JI YA<\/td>\nQi ZHANG<\/td>\nChina<\/td>\n2019<\/td>\n95<\/td>\n<\/tr>\n
39<\/td>\nCidade P\u00e1ssaro<\/td>\nCidade P\u00e1ssaro<\/td>\nMatias Mariani<\/td>\nBrasil, Fran\u00e7a<\/td>\n2020<\/td>\n102<\/td>\n<\/tr>\n
40<\/td>\nCol\u00f4mbia Era Nossa<\/td>\nColombia In My Arms<\/td>\nJenni Kivist\u00f6, Jussi Rastas<\/td>\nFinl\u00e2ndia, Dinamarca, Su\u00e9cia, Fran\u00e7a<\/td>\n2020<\/td>\n91<\/td>\n<\/tr>\n
41<\/td>\nContos da Pris\u00e3o<\/td>\nTales From The Prison Cell<\/td>\nAbel Visky<\/td>\nHungria, Croacia, Reino Unido<\/td>\n2020<\/td>\n80<\/td>\n<\/tr>\n
42<\/td>\nCoronation<\/td>\nCoronation<\/td>\nAi Weiwei<\/td>\nChina<\/td>\n2020<\/td>\n115<\/td>\n<\/tr>\n
43<\/td>\nCorrendo Para o C\u00e9u<\/td>\nJo Kuluk<\/td>\nMirlan Abdykalykov<\/td>\nQuijirquist\u00e3o<\/td>\n2019<\/td>\n88<\/td>\n<\/tr>\n
44<\/td>\nCorvos<\/td>\nCrows<\/td>\nNaghi Nemati<\/td>\nIr\u00e3<\/td>\n2020<\/td>\n80<\/td>\n<\/tr>\n
45<\/td>\nCozinhar F*der Matar<\/td>\nCook F**K Kill<\/td>\nMira Fornay<\/td>\nRep\u00fablica Checa<\/td>\n2019<\/td>\n116<\/td>\n<\/tr>\n
46<\/td>\nCracol\u00e2ndia<\/td>\nCracol\u00e2ndia<\/td>\nEdu Felistoque<\/td>\nBrasil<\/td>\n2020<\/td>\n<\/td>\n<\/tr>\n
47<\/td>\nCrian\u00e7as do Sol<\/td>\nKhorshid<\/td>\nMajid Majidi<\/td>\nIr\u00e3<\/td>\n2020<\/td>\n99<\/td>\n<\/tr>\n
48<\/td>\nCurral<\/td>\nCurral<\/td>\nMarcelo Brennand<\/td>\nBrasil<\/td>\n2020<\/td>\n87<\/td>\n<\/tr>\n
49<\/td>\nDAU. Degenera\u00e7\u00e3o<\/td>\nDAU. Degeneration<\/td>\nIlya Khrzhanovsky, Jekaterina Oerte<\/td>\nRussia, Ucr\u00e2nia<\/td>\n2020<\/td>\n368<\/td>\n<\/tr>\n
50<\/td>\nDAU. Natasha<\/td>\nDAU. Natasha<\/td>\nIlya Khrzhanovsky, Jekaterina Oertel<\/td>\nRussia, Ucr\u00e2nia<\/td>\n2020<\/td>\n138<\/td>\n<\/tr>\n
51<\/td>\nDe Volta A Visegrad<\/td>\nRetour \u00c0 Visegrad<\/td>\nAntoine Jaccoud, Julie Biro<\/td>\nSui\u00e7a<\/td>\n2020<\/td>\n95<\/td>\n<\/tr>\n
52<\/td>\nDe Volta Para Casa – Marina Abramovic e Seus Filhos<\/td>\nPovratak Ku\u0107i \u2013 Marina Abramovi\u0107 I Njena Deca<\/td>\nBoris Miljkovic<\/td>\nS\u00e9rvia<\/td>\n2020<\/td>\n83<\/td>\n<\/tr>\n
53<\/td>\nDENTE POR DENTE<\/td>\nDENTE POR DENTE<\/td>\nJulio Taubkin, Pedro Arantes<\/td>\nBrasil<\/td>\n2019<\/td>\n85<\/td>\n<\/tr>\n
54<\/td>\nDesenterrar<\/td>\nDigger<\/td>\nGeorgis Grigorakis<\/td>\nGr\u00e9cia, Fran\u00e7a<\/td>\n2020<\/td>\n101<\/td>\n<\/tr>\n
55<\/td>\nDezesseis Primaveras<\/td>\nSpring Blossom<\/td>\nSuzanne Lindon<\/td>\nFran\u00e7a<\/td>\n2020<\/td>\n73<\/td>\n<\/tr>\n
56<\/td>\nDias<\/td>\nRizi<\/td>\nTsai Ming-Liang<\/td>\nTaiwan<\/td>\n2020<\/td>\n127<\/td>\n<\/tr>\n
57<\/td>\nEeb Allay Ooo!<\/td>\nEeb Allay Ooo!<\/td>\nPrateek Vats<\/td>\nIndia<\/td>\n2019<\/td>\n97<\/td>\n<\/tr>\n
58<\/td>\nEm Meus Sonhos<\/td>\nBir D\u00fc\u015f G\u00f6rd\u00fcm<\/td>\nMurat \u00c7eri<\/td>\nTurquia<\/td>\n2020<\/td>\n100<\/td>\n<\/tr>\n
59<\/td>\nEntre C\u00e3o e Lobo<\/td>\nEntre Perro Y Lobo<\/td>\nIrene Guti\u00e9rrez<\/td>\nEspanha, Cuba, Col\u00f4mbia<\/td>\n2020<\/td>\n75<\/td>\n<\/tr>\n
60<\/td>\nEntre Mortes<\/td>\nIn Between Dying<\/td>\nHilal Baydarov<\/td>\nAzerbaij\u00e3o, EUA<\/td>\n2020<\/td>\n88<\/td>\n<\/tr>\n
61<\/td>\nEntre N\u00f3s Um Segredo<\/td>\nEntre N\u00f3s Um Segredo<\/td>\nBeatriz Seigner, Toumani Kouyat\u00e9<\/td>\nBrasil, M\u00e9xico, EUA, Burkina Faso<\/td>\n2020<\/td>\n79<\/td>\n<\/tr>\n
62<\/td>\nEntre o C\u00e9u e a Terra<\/td>\nBetween Heaven And Earth<\/td>\nNajwa Najjar<\/td>\nPalestina, Luxemburgo, Isl\u00e2ndia<\/td>\n2019<\/td>\n93<\/td>\n<\/tr>\n
63<\/td>\nEquin\u00f3cio<\/td>\nTagundnachtgleiche<\/td>\nLena Knauss<\/td>\nAlemanha<\/td>\n2020<\/td>\n110<\/td>\n<\/tr>\n
64<\/td>\nEscondida<\/td>\nHIDDEN<\/td>\nJafar Panahi<\/td>\nFran\u00e7a, Ir\u00e3<\/td>\n2020<\/td>\n18<\/td>\n<\/tr>\n
65<\/td>\nEspacate<\/td>\nSpagat \/ \u0428\u043f\u0430\u0433\u0430\u0442<\/td>\nChristian Johannes Koch<\/td>\nSui\u00e7a<\/td>\n2020<\/td>\n110<\/td>\n<\/tr>\n
66<\/td>\nEstava Chovendo P\u00e1ssaros<\/td>\nIl Pleuvait des Oiseaux<\/td>\nLouise Archambault<\/td>\nCanad\u00e1<\/td>\n2019<\/td>\n<\/td>\n<\/tr>\n
67<\/td>\nEste \u00c9 Meu Desejo<\/td>\nEyimofe<\/td>\nArie Esiri, Chuko Esiri<\/td>\nNig\u00e9ria, EUA<\/td>\n2020<\/td>\n116<\/td>\n<\/tr>\n
68<\/td>\nEx\u00edlio<\/td>\nExile<\/td>\nVisar Morina<\/td>\nAlemanha, B\u00e9lgica, Kosovo<\/td>\n2020<\/td>\n121<\/td>\n<\/tr>\n
69<\/td>\nExtase<\/td>\n\u00caxtase<\/td>\nMoara Passoni<\/td>\nBrasil, EUA<\/td>\n2020<\/td>\n72<\/td>\n<\/tr>\n
70<\/td>\nF\u00e1bulas Ruins<\/td>\nBad Tales<\/td>\nFabio & Damiano D’Innocenzo<\/td>\nIt\u00e1lia<\/td>\n2020<\/td>\n98<\/td>\n<\/tr>\n
71<\/td>\nFarewell Amor<\/td>\nFarewell Amor<\/td>\nEkwa Msangi<\/td>\nEUA<\/td>\n2020<\/td>\n95<\/td>\n<\/tr>\n
72<\/td>\nFeels Good Man<\/td>\nFeels Good Man<\/td>\nArthur Jones<\/td>\nEUA<\/td>\n2020<\/td>\n92<\/td>\n<\/tr>\n
73<\/td>\nFevereiro<\/td>\nFebruary<\/td>\nKamen Kalev<\/td>\nBulg\u00e1ria, Fran\u00e7a<\/td>\n2020<\/td>\n125<\/td>\n<\/tr>\n
74<\/td>\nFilho de Boi<\/td>\nFilho De Boi<\/td>\nHaroldo Borges<\/td>\nBrasil<\/td>\n2019<\/td>\n91<\/td>\n<\/tr>\n
75<\/td>\nGatilho<\/td>\nTrigger<\/td>\nPavel Ganin<\/td>\nRussia<\/td>\n2020<\/td>\n98<\/td>\n<\/tr>\n
76<\/td>\nGato na Parede<\/td>\nCat In The Wall<\/td>\nMina Mileva e Vesela Kazakova<\/td>\nBulg\u00e1ria, Reino Unido<\/td>\n2019<\/td>\n92<\/td>\n<\/tr>\n
77<\/td>\nG\u00eanero, Pan<\/td>\nLahi, Hayop<\/td>\nLav Diaz<\/td>\nFilipinas<\/td>\n2020<\/td>\n157<\/td>\n<\/tr>\n
78<\/td>\nGlauber, Claro<\/td>\nGlauber, Claro<\/td>\nC\u00e9sar Meneghett<\/td>\nBrasil<\/td>\n2020<\/td>\n80<\/td>\n<\/tr>\n
79<\/td>\nGuerra<\/td>\nGuerra<\/td>\nJos\u00e9 Oliveira e Marta Ramos<\/td>\nPortugal<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
80<\/td>\nHavel<\/td>\nHavel<\/td>\nSl\u00e1vek Hor\u00e1k<\/td>\nRep\u00fablica Checa<\/td>\n2020<\/td>\n?<\/td>\n<\/tr>\n
81<\/td>\nImpedimento em Cartum<\/td>\nKhartoum Offside<\/td>\nMarwa Zein<\/td>\nSud\u00e3o, Noruega, Dinamarca<\/td>\n2019<\/td>\n75<\/td>\n<\/tr>\n
82<\/td>\nIrm\u00e3<\/td>\nIrm\u00e3<\/td>\nLuciana Mazeto e Vin\u00edcius Lopes<\/td>\nBrasil<\/td>\n2020<\/td>\n88<\/td>\n<\/tr>\n
83<\/td>\nIrm\u00e3s Separadas<\/td>\nSisters Apart<\/td>\nDaphne Charizani<\/td>\nAlemanha, Gr\u00e9cia<\/td>\n2020<\/td>\n93<\/td>\n<\/tr>\n
84<\/td>\nIsso N\u00e3o \u00c9 um Enterro, \u00c9 uma Ressurrei\u00e7\u00e3o<\/td>\nThis Is Not A Buriel, It\u00b4S A Resurrection<\/td>\nLemohang Jeremiah Mosese<\/td>\nLesoto<\/td>\n2019<\/td>\n120<\/td>\n<\/tr>\n
85<\/td>\nJantar na Am\u00e9rica<\/td>\nDinner in America<\/td>\nAdam Rehmeier<\/td>\nEUA<\/td>\n2020<\/td>\n106<\/td>\n<\/tr>\n
86<\/td>\nJosep<\/td>\nJosep<\/td>\nAur\u00e9lien Froment<\/td>\nB\u00e9lgica, Fran\u00e7a<\/td>\n2020<\/td>\n80<\/td>\n<\/tr>\n
87<\/td>\nKair\u00f3s<\/td>\nKair\u00f3s<\/td>\nNicol\u00e1s Buenaventura Vidal<\/td>\nFran\u00e7a, Colombia<\/td>\n2020<\/td>\n78<\/td>\n<\/tr>\n
88<\/td>\nKubrick por Kubrick<\/td>\nKubrick Par Kubrick<\/td>\nGr\u00e9gory Monro<\/td>\nFran\u00e7a<\/td>\n2020<\/td>\n72<\/td>\n<\/tr>\n
89<\/td>\nLa Francisca, Uma Juventude Chilena<\/td>\nLa Francisca, Una Juventud Chilena<\/td>\nRodrigo Litorriaga<\/td>\nChile, Fran\u00e7a, Belgica<\/td>\n2020<\/td>\n80<\/td>\n<\/tr>\n
90<\/td>\nLa Planta<\/td>\nLa Planta<\/td>\nBeto Brant<\/td>\nBrasil<\/td>\n2020<\/td>\n50<\/td>\n<\/tr>\n
91<\/td>\nLabirinto Yo’eme<\/td>\nLaberinto Yo’eme<\/td>\nSergi Pedro Ros<\/td>\nM\u00e9xico, Espanha<\/td>\n2019<\/td>\n87<\/td>\n<\/tr>\n
92<\/td>\nLadr\u00f5es de Cinema<\/td>\nLadr\u00f5es de Cinema<\/td>\nFernando Coni Campos<\/td>\nBrasil<\/td>\n1977<\/td>\n127<\/td>\n<\/tr>\n
93<\/td>\nLama\u00e7al<\/td>\nLa Chancha<\/td>\nFranco Verdoia<\/td>\nArgentina, Brasil<\/td>\n2020<\/td>\n97<\/td>\n<\/tr>\n
94<\/td>\nLimiar<\/td>\nThreshold<\/td>\nRouzbeh Akhbari, Felix Kalmenson<\/td>\nCanad\u00e1, Armenia, Turquia<\/td>\n2020<\/td>\n70<\/td>\n<\/tr>\n
95<\/td>\nLorelei<\/td>\nLorelei<\/td>\nSabrina Doyle<\/td>\nEUA<\/td>\n2020<\/td>\n111<\/td>\n<\/tr>\n
96<\/td>\nLua Vermelha<\/td>\nL\u00faa Vermella<\/td>\nLois Pati\u00f1o<\/td>\nEspanha<\/td>\n2020<\/td>\n83<\/td>\n<\/tr>\n
97<\/td>\nLuxor<\/td>\nLuxor<\/td>\nZeina Durra<\/td>\nReino Unido, Fran\u00e7a<\/td>\n2020<\/td>\n85<\/td>\n<\/tr>\n
98<\/td>\nLuz Acesa<\/td>\nLuz Acesa<\/td>\nGuilherme Coelho<\/td>\nBrasil<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
99<\/td>\nM\u00e3e de Aluguel<\/td>\nThe Surrogate<\/td>\nJeremy Hersh<\/td>\nEUA<\/td>\n2020<\/td>\n93<\/td>\n<\/tr>\n
100<\/td>\nM\u00e3es de Verdade<\/td>\nAsa Ga Kuru<\/td>\nNaomi Kawase<\/td>\nJap\u00e3o<\/td>\n2020<\/td>\n140<\/td>\n<\/tr>\n
101<\/td>\nMalmkrog<\/td>\nMalmkrog<\/td>\nCristi Puiu<\/td>\nRomenia, Servia, Sui\u00e7a<\/td>\n2020<\/td>\n201<\/td>\n<\/tr>\n
102<\/td>\nMam\u00e3e, Mam\u00e3e, Mam\u00e3e<\/td>\nMam\u00e1, Mam\u00e1, Mam\u00e1<\/td>\nSol Berruezo Pichon-Rivi\u00e8re<\/td>\nArgentina<\/td>\n2020<\/td>\n70<\/td>\n<\/tr>\n
103<\/td>\nMar de Dentro<\/td>\nMar De Dentro<\/td>\nDainara Toffoli<\/td>\nBrasil<\/td>\n2020<\/td>\n98<\/td>\n<\/tr>\n
104<\/td>\nMate-o e Deixe Esta Cidade<\/td>\nKill It And Leave This Town<\/td>\nMariusz Wilczy\u0144ski<\/td>\nPol\u00f4nia<\/td>\n2020<\/td>\n88<\/td>\n<\/tr>\n
105<\/td>\nMatriarca<\/td>\nMater<\/td>\nJure Pavlovic<\/td>\nCroacia, Servia, Fran\u00e7a, Bosnia, Herzegovina<\/td>\n2019<\/td>\n93<\/td>\n<\/tr>\n
106<\/td>\nMeu Cora\u00e7\u00e3o S\u00f3 Ir\u00e1 Bater se Voc\u00ea Pedir<\/td>\nMy Heart Can’t Beat Unless You Tell It To<\/td>\nJonathan Cuartas<\/td>\nEUA<\/td>\n2020<\/td>\n90<\/td>\n<\/tr>\n
107<\/td>\nMeu Rembrandt<\/td>\nMy Rembrandt<\/td>\nOeke Hoogendijk<\/td>\nHolanda<\/td>\n2019<\/td>\n97<\/td>\n<\/tr>\n
108<\/td>\nMinha Incr\u00edvel Wanda<\/td>\nMy Wondeful Wanda<\/td>\nBettina Oberli<\/td>\nSui\u00e7a<\/td>\n2020<\/td>\n110<\/td>\n<\/tr>\n
109<\/td>\nMinha Irm\u00e3<\/td>\nSchwesterlein<\/td>\nSt\u00e9phanie Chuat, V\u00e9ronique Reymond<\/td>\nSui\u00e7a, Alemanha<\/td>\n2020<\/td>\n99<\/td>\n<\/tr>\n
110<\/td>\nMiss Marx<\/td>\nMiss Marx<\/td>\nSusanna Nicchiarelli<\/td>\nIt\u00e1lia, B\u00e9lgica<\/td>\n2020<\/td>\n107<\/td>\n<\/tr>\n
111<\/td>\nMosquito<\/td>\nMosquito<\/td>\nNuno Pinto<\/td>\nPortugal<\/td>\n2020<\/td>\n125<\/td>\n<\/tr>\n
112<\/td>\nMulher Oceano<\/td>\nMulher Oceano<\/td>\nDjin Sganzerla<\/td>\nBrasil, Jap\u00e3o<\/td>\n2020<\/td>\n99<\/td>\n<\/tr>\n
113<\/td>\nMurm\u00fario<\/td>\nMurmur<\/td>\nHeather Young<\/td>\nCanad\u00e1<\/td>\n2019<\/td>\n85<\/td>\n<\/tr>\n
114<\/td>\nNadando At\u00e9 o Mar se Tornar Azul<\/td>\nSwimming Out Till The Sea Turns Blue<\/td>\nJia Zhang-ke<\/td>\nChina<\/td>\n2020<\/td>\n112<\/td>\n<\/tr>\n
115<\/td>\nNadia, Borboleta<\/td>\nNadia, Butterfly<\/td>\nPascal Plante<\/td>\nCanad\u00e1<\/td>\n2020<\/td>\n?<\/td>\n<\/tr>\n
116<\/td>\nN\u00e3o H\u00e1 Mal Algum<\/td>\nThere Is No Evil<\/td>\nMohammad Rasoulof<\/td>\nAlemanha, Ir\u00e3<\/td>\n2020<\/td>\n152<\/td>\n<\/tr>\n
117<\/td>\nNariz Sangrando, Bolsos Vazios<\/td>\nBloody Nose Empty Pockets<\/td>\nBill Ross IV, Turner Ross<\/td>\nEUA<\/td>\n2020<\/td>\n98<\/td>\n<\/tr>\n
118<\/td>\nNas Asas Da Pan Am<\/td>\nNas Asas Da Pan Am<\/td>\nSilvio Tendler<\/td>\nBrasil<\/td>\n2020<\/td>\n110<\/td>\n<\/tr>\n
119<\/td>\nNem Her\u00f3i Nem Traidor<\/td>\nNi H\u00e9roe Ni Traidor<\/td>\nNicol\u00e1s Savignone<\/td>\nArgentina<\/td>\n2020<\/td>\n74<\/td>\n<\/tr>\n
120<\/td>\nNheengatu<\/td>\nNheengatu<\/td>\nJos\u00e9 Barahona<\/td>\nBrasil, Portugal<\/td>\n2020<\/td>\n114<\/td>\n<\/tr>\n
121<\/td>\nNimby<\/td>\nNimby<\/td>\nTeemu Nikki<\/td>\nFinl\u00e2ndia<\/td>\n2020<\/td>\n93<\/td>\n<\/tr>\n
122<\/td>\nNossa Senhora do Nilo<\/td>\nNotre-Dame du Nil<\/td>\nAtiq Rahimi<\/td>\nFran\u00e7a, B\u00e9lgica, Ruanda<\/td>\n2019<\/td>\n<\/td>\n<\/tr>\n
123<\/td>\nNotturno<\/td>\nNotturno<\/td>\nGianfranco Rosi<\/td>\nIt\u00e1lia, Fran\u00e7a e Alemanha<\/td>\n2020<\/td>\n100<\/td>\n<\/tr>\n
124<\/td>\nNova Ordem<\/td>\nNuevo Orden<\/td>\nMichel Franco<\/td>\nM\u00e9xico, Fran\u00e7a<\/td>\n2020<\/td>\n88<\/td>\n<\/tr>\n
125<\/td>\nN\u00fameros<\/td>\nNomery<\/td>\nOleg Sentsov, Akhtem Seitablaev<\/td>\nUcr\u00e2nia<\/td>\n2020<\/td>\n104<\/td>\n<\/tr>\n
126<\/td>\nO Adivinhador<\/td>\nStump Guesser<\/td>\nEvan Johnson, Galen Johnson, Guy Maddin<\/td>\nCanad\u00e1<\/td>\n2020<\/td>\n19<\/td>\n<\/tr>\n
127<\/td>\nO Ano da Morte de Ricardo Reis<\/td>\nO Ano da Morte de Ricardo Reis<\/td>\nJo\u00e3o Botelho<\/td>\nPortugal<\/td>\n2020<\/td>\n130<\/td>\n<\/tr>\n
128<\/td>\nO Caminho Para Moscou<\/td>\nOne Way To Moscow<\/td>\nMicha Lewinsky<\/td>\nSui\u00e7a<\/td>\n2020<\/td>\n99<\/td>\n<\/tr>\n
129<\/td>\nO Charlat\u00e3o<\/td>\nCharlatan<\/td>\nAgnieszka Holland<\/td>\nRep\u00fablica Checa<\/td>\n2020<\/td>\n118<\/td>\n<\/tr>\n
130<\/td>\nO Clube Vinland<\/td>\nLe Club Vinland<\/td>\nBenoit Pilon<\/td>\nCanad\u00e1<\/td>\n2019<\/td>\n125<\/td>\n<\/tr>\n
131<\/td>\nO Despertar de Fanny Lye<\/td>\nFanny Lye Deliver’d<\/td>\nThomas Clay<\/td>\nReino Unido, Alemanha<\/td>\n2019<\/td>\n112<\/td>\n<\/tr>\n
132<\/td>\nO Livro dos Prazeres<\/td>\nO Livro Dos Prazeres<\/td>\nMarcela Lordy<\/td>\nBrasil, Argentina<\/td>\n2020<\/td>\n99<\/td>\n<\/tr>\n
133<\/td>\nO Lodo<\/td>\nO Lodo<\/td>\nHelv\u00e9cio Ratton<\/td>\nBrasil<\/td>\n2020<\/td>\n94<\/td>\n<\/tr>\n
134<\/td>\nO M\u00e1gico e o Delegado<\/td>\nO M\u00e1gico e o Delegado<\/td>\nFernando Coni Campos<\/td>\nBrasil<\/td>\n1983<\/td>\n103<\/td>\n<\/tr>\n
135<\/td>\nO Nariz ou A Conspira\u00e7\u00e3o dos Dissidentes<\/td>\nNos Ili Zagovor Netakikh<\/td>\nAndrey Khrzhanovsky<\/td>\nRussia<\/td>\n2020<\/td>\n89<\/td>\n<\/tr>\n
136<\/td>\nO Neon Atrav\u00e9s do Oceano<\/td>\nThe Neon Across The Ocean<\/td>\nMatthew Victor Pastor<\/td>\nFilipinas, Australia<\/td>\n2020<\/td>\n90<\/td>\n<\/tr>\n
137<\/td>\nO Nome Encravado em Seu Cora\u00e7\u00e3o<\/td>\nKE ZAI NI XIN DI DE MING ZI<\/td>\nKuang-Hui LIU<\/td>\nTaiwan<\/td>\n2020<\/td>\n113<\/td>\n<\/tr>\n
138<\/td>\nO Para\u00edso da Serpente<\/td>\nEl Para\u00edso De La Serpiente<\/td>\nBernardo Arellano<\/td>\nM\u00e9xico, It\u00e1lia, EUA<\/td>\n2019<\/td>\n90<\/td>\n<\/tr>\n
139<\/td>\nO Pequeno Refugiado<\/td>\nThe Little Refugee<\/td>\nBatin Ghobadi<\/td>\nTurquia, Ir\u00e3<\/td>\n2020<\/td>\n90<\/td>\n<\/tr>\n
140<\/td>\nO Pergaminho Vermelho<\/td>\nO Pergaminho Vermelho<\/td>\nNelson Botter Jr<\/td>\nBrasil<\/td>\n2019<\/td>\n90<\/td>\n<\/tr>\n
141<\/td>\nO Problema de Nascer<\/td>\nThe Trouble With Being Born<\/td>\nSandra Wollner<\/td>\nAustria<\/td>\n2020<\/td>\n94<\/td>\n<\/tr>\n
142<\/td>\nO Santo do Imposs\u00edvel<\/td>\nThe Saint Of The Impossible<\/td>\nMarc Wilkins<\/td>\nSui\u00e7a<\/td>\n2020<\/td>\n97<\/td>\n<\/tr>\n
143<\/td>\nO S\u00e9culo 20<\/td>\nThe Twentieth Century<\/td>\nMatthew Rankin<\/td>\nCanad\u00e1<\/td>\n2019<\/td>\n90<\/td>\n<\/tr>\n
144<\/td>\nO Tremor<\/td>\nNilanadukkam<\/td>\nBalaji Vembu Chelli<\/td>\nIndia<\/td>\n2020<\/td>\n71<\/td>\n<\/tr>\n
145<\/td>\nO \u00daltimo Banho<\/td>\nO \u00daltimo Banho<\/td>\nDAVID BONNEVILLE<\/td>\nPortugal, Fran\u00e7a<\/td>\n2020<\/td>\n95<\/td>\n<\/tr>\n
146<\/td>\nOlliver Hawk, O Hipnotizador<\/td>\nOlliver Hawk (The Hypnotist)<\/td>\nArthur Franck<\/td>\nFinlandia<\/td>\n2019<\/td>\n72<\/td>\n<\/tr>\n
147<\/td>\nOrdem Moral<\/td>\nOrdem Moral<\/td>\nM\u00e1rio Barroso<\/td>\nPortugal<\/td>\n2020<\/td>\n101<\/td>\n<\/tr>\n
148<\/td>\nOs Ca\u00e7adores de Coelhos<\/td>\nThe Rabbit Hunters<\/td>\nEvan Johnson, Galen Johnson, Guy Maddin<\/td>\nCanad\u00e1<\/td>\n2020<\/td>\n9<\/td>\n<\/tr>\n
149<\/td>\nOs Nomes das Flores<\/td>\nLos Nombres De Las Flores<\/td>\nBahman Tavoosi<\/td>\nBolivia, Canada, EUA,Catar<\/td>\n2019<\/td>\n79<\/td>\n<\/tr>\n
150<\/td>\nPai<\/td>\nOtac<\/td>\nSrdan Golubovi\u0107<\/td>\nS\u00e9rvia<\/td>\n2020<\/td>\n120<\/td>\n<\/tr>\n
151<\/td>\nPaisagem na Sombra<\/td>\nShadow Country<\/td>\nBohdan Sl\u00e1ma<\/td>\nRep\u00fablica Checa<\/td>\n2020<\/td>\n?<\/td>\n<\/tr>\n
152<\/td>\nPanquiaco<\/td>\nPanquiaco<\/td>\nAna Elena Tejera<\/td>\nPanam\u00e1<\/td>\n2020<\/td>\n85<\/td>\n<\/tr>\n
153<\/td>\nPari<\/td>\nPari<\/td>\nSiamak Etemadi<\/td>\nGr\u00e9cia, Fran\u00e7a, Holanda, Bulgaria<\/td>\n2020<\/td>\n101<\/td>\n<\/tr>\n
154<\/td>\nPiedra Sola<\/td>\nPiedra Sola<\/td>\nAlejandro Tel\u00e9maco Tarraf<\/td>\nArgentina, Catar, Reino Unido<\/td>\n2020<\/td>\n82<\/td>\n<\/tr>\n
155<\/td>\nPilatos<\/td>\nPil\u00e1tus<\/td>\nLinda Dombrovszky<\/td>\nHungria<\/td>\n2020<\/td>\n73<\/td>\n<\/tr>\n
156<\/td>\nPoppie Nongena<\/td>\nPoppie Nongena<\/td>\nChristiaan Olwagen<\/td>\n\u00c1frica do Sul<\/td>\n2019<\/td>\n106<\/td>\n<\/tr>\n
157<\/td>\nPrazer, Camaradas!<\/td>\nPrazer, Camaradas!<\/td>\nJos\u00e9 Filipe Costa<\/td>\nPortugal<\/td>\n2019<\/td>\n106<\/td>\n<\/tr>\n
158<\/td>\nPREFEITURA<\/td>\nCity Hall<\/td>\nFrederick Wiseman<\/td>\nEUA<\/td>\n2020<\/td>\n275<\/td>\n<\/tr>\n
159<\/td>\nProblemas com a Natureza<\/td>\nThe Trouble With Nature<\/td>\nIllum Jacobi<\/td>\nDinamarca<\/td>\n2020<\/td>\n95<\/td>\n<\/tr>\n
160<\/td>\nQuando a Lua Estava Cheia<\/td>\nShabi Ke Mah Kamel Shod<\/td>\nNarges Abyar<\/td>\nIr\u00e3<\/td>\n2019<\/td>\n128<\/td>\n<\/tr>\n
161<\/td>\nQuando Anoitece<\/td>\nThe Evening Hour<\/td>\nBraden King<\/td>\nEUA<\/td>\n2020<\/td>\n114<\/td>\n<\/tr>\n
162<\/td>\nRebeldes de Ver\u00e3o<\/td>\nSummer Rebels<\/td>\nMartina Sakov\u00e1<\/td>\nAlemanha, Eslov\u00e1quia<\/td>\n2020<\/td>\n92<\/td>\n<\/tr>\n
163<\/td>\nRose Interpreta Julie<\/td>\nRose Plays Julie<\/td>\nJoe Lawlor, Christine Molloy<\/td>\nIrlanda, Reino Unido<\/td>\n2019<\/td>\n100<\/td>\n<\/tr>\n
164<\/td>\nSamba de Santo – Resist\u00eancia Afro-Baiana<\/td>\nSamba de Santo – Resist\u00eancia Afro-Baiana<\/td>\nBet\u00e3o Aguiar<\/td>\nBrasil<\/td>\n2020<\/td>\n80<\/td>\n<\/tr>\n
165<\/td>\nSanguinetti<\/td>\nSanguinetti<\/td>\nChristian Diaz Pardo<\/td>\nM\u00e9xico, Chile<\/td>\n2019<\/td>\n81<\/td>\n<\/tr>\n
166<\/td>\nSem Cabe\u00e7a<\/td>\nBisar<\/td>\nKaveh Sajjadi Hosseini<\/td>\nIr\u00e3<\/td>\n2020<\/td>\n93<\/td>\n<\/tr>\n
167<\/td>\nSem Ressentimentos<\/td>\nWir<\/td>\nFaraz Shariat<\/td>\nAlemanha<\/td>\n2020<\/td>\n92<\/td>\n<\/tr>\n
168<\/td>\nSem Som<\/td>\nBi Seda Halazoon<\/td>\nBehrang Dezfoulizadeh<\/td>\nIr\u00e3<\/td>\n2020<\/td>\n86<\/td>\n<\/tr>\n
169<\/td>\nSem Voz<\/td>\nThe Voiceless<\/td>\nPascal Rabat\u00e9<\/td>\nFran\u00e7a<\/td>\n2020<\/td>\n85<\/td>\n<\/tr>\n
170<\/td>\nShirley<\/td>\nShirley<\/td>\nJosephine Decker<\/td>\nEUA<\/td>\n2020<\/td>\n107<\/td>\n<\/tr>\n
171<\/td>\nSib\u00e9ria<\/td>\nSiberia<\/td>\nAbel Ferrara<\/td>\nIt\u00e1lia, Alemanha, Gr\u00e9cia, M\u00e9xico<\/td>\n2020<\/td>\n92<\/td>\n<\/tr>\n
172<\/td>\nSil\u00eancio e P\u00f4r do Sol<\/td>\nSilence and Sunset<\/td>\nKazufumi Umemura<\/td>\nJap\u00e3o<\/td>\n2020<\/td>\n136<\/td>\n<\/tr>\n
173<\/td>\nSobradinho<\/td>\nSobradinho<\/td>\nMar\u00edlia Hughes, Cl\u00e1udio Marques<\/td>\nBrasil<\/td>\n2020<\/td>\n70<\/td>\n<\/tr>\n
174<\/td>\nSolo<\/td>\nToprak<\/td>\nSevgi Hirschh\u00e4user<\/td>\nAlemanha, Turquia<\/td>\n2020<\/td>\n105<\/td>\n<\/tr>\n
175<\/td>\nSoros<\/td>\nSoros<\/td>\nJesse Dylan<\/td>\nEUA<\/td>\n2020<\/td>\n85<\/td>\n<\/tr>\n
176<\/td>\nSportin’ Life<\/td>\nSportin’ Life<\/td>\nAbel Ferrara<\/td>\nIt\u00e1lia<\/td>\n2020<\/td>\n65<\/td>\n<\/tr>\n
177<\/td>\nStardust<\/td>\nStardust<\/td>\nGabriel Range<\/td>\nReino Unido<\/td>\n2020<\/td>\n?<\/td>\n<\/tr>\n
178<\/td>\nSummertime<\/td>\nSummertime<\/td>\nCarlos L\u00f3pez Estrada<\/td>\nEUA<\/td>\n2020<\/td>\n95<\/td>\n<\/tr>\n
179<\/td>\nSuor<\/td>\nSweat<\/td>\nMagnus von Horn<\/td>\nPol\u00f4nia, Su\u00e9cia<\/td>\n2020<\/td>\n100<\/td>\n<\/tr>\n
180<\/td>\nTentehar – Arquitetura do Sens\u00edvel<\/td>\nTentehar – Arquitetura Do Sens\u00edvel<\/td>\nPALOMA ROCHA<\/td>\nBrasil<\/td>\n2020<\/td>\n90<\/td>\n<\/tr>\n
181<\/td>\nTodas as Melodias<\/td>\nTodas as Melodias<\/td>\nMarco Abujamra<\/td>\nBrasil<\/td>\n2020<\/td>\n80<\/td>\n<\/tr>\n
182<\/td>\nTodos os Mortos<\/td>\nTodos os Mortos<\/td>\nMarco Dutra e Caetano Gotardo<\/td>\nBrasil, Fran\u00e7a<\/td>\n2020<\/td>\n120<\/td>\n<\/tr>\n
183<\/td>\nUivos S\u00e3o Ouvidos<\/td>\nSe Escuchan Aullidos<\/td>\nJulio Hern\u00e1ndez Cord\u00f3n<\/td>\nM\u00e9xico<\/td>\n2020<\/td>\n72<\/td>\n<\/tr>\n
184<\/td>\nUm Crime em Comum<\/td>\nUn Crimen Com\u00fan<\/td>\nFrancisco M\u00e1rquez<\/td>\nArgentina, Brasil, Su\u00ed\u00e7a<\/td>\n2020<\/td>\n96<\/td>\n<\/tr>\n
185<\/td>\nUm Dia Com Jerusa<\/td>\nUm Dia Com Jerusa<\/td>\nViviane Ferreira<\/td>\nBrasil<\/td>\n2020<\/td>\n74<\/td>\n<\/tr>\n
186<\/td>\nUma M\u00e1quina para Habitar<\/td>\nA Machine To Live In<\/td>\nYoni Goldstein, Meredith Zielke<\/td>\nEUA<\/td>\n2020<\/td>\n87<\/td>\n<\/tr>\n
187<\/td>\nUma Noite na \u00d3pera<\/td>\nUNE NUIT A L’OPERA<\/td>\nSergei Losnitza<\/td>\nFran\u00e7a<\/td>\n2020<\/td>\n19<\/td>\n<\/tr>\n
188<\/td>\nValentina<\/td>\nValentina<\/td>\nC\u00e1ssio Pereira dos Santos<\/td>\nBrasil<\/td>\n2020<\/td>\n94<\/td>\n<\/tr>\n
189<\/td>\nVencidos da Vida<\/td>\nVencidos da Vida<\/td>\nRodrigo Areias<\/td>\nPortugal<\/td>\n2020<\/td>\n?<\/td>\n<\/tr>\n
190<\/td>\nVer\u00e3o Branco<\/td>\nBlanco de Verano<\/td>\nRodrigo Ruiz Patterson<\/td>\nM\u00e9xico<\/td>\n2020<\/td>\n?<\/td>\n<\/tr>\n
191<\/td>\nVerlust<\/td>\nVerlust<\/td>\nEsmir Filho<\/td>\nBrasil, Uruguai<\/td>\n2019<\/td>\n112<\/td>\n<\/tr>\n
192<\/td>\nViagem ao Fim do Mundo<\/td>\nViagem ao Fim do Mundo<\/td>\nFernando Coni Campos<\/td>\nBrasil<\/td>\n1968<\/td>\n95<\/td>\n<\/tr>\n
193<\/td>\nVivos<\/td>\nVivos<\/td>\nAi Weiwei<\/td>\nAlemanha<\/td>\n2020<\/td>\n112<\/td>\n<\/tr>\n
194<\/td>\nWalden<\/td>\nWalden<\/td>\nBojena Horackova<\/td>\nFran\u00e7a<\/td>\n2020<\/td>\n105<\/td>\n<\/tr>\n
195<\/td>\nWelcome to Chechnya<\/td>\nWelcome To Chechnya<\/td>\nDavid France<\/td>\nEUA<\/td>\n2020<\/td>\n107<\/td>\n<\/tr>\n
196<\/td>\nWinona<\/td>\nWinona<\/td>\nAlexandros Voulgaris (The Boy)<\/td>\nGr\u00e9cia<\/td>\n2019<\/td>\n88<\/td>\n<\/tr>\n
197<\/td>\nXeque-Mate<\/td>\nJaque Mate<\/td>\nBruna Piantino<\/td>\nBrasil, Uruguai<\/td>\n2020<\/td>\n71<\/td>\n<\/tr>\n
198<\/td>\nZanka Contact<\/td>\nZanka Contact<\/td>\nIsma\u00ebl El Iraki<\/td>\nFran\u00e7a, Marrocos, Belgica<\/td>\n2020<\/td>\n125<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

A 44\u00aa edi\u00e7\u00e3o da Mostra Internacional de Cinema de S\u00e3o Paulo acontece online este ano por conta da pandemia do novo coronav\u00edrus. Segue a lista dos filmes que ser\u00e3o exibidos na plataforma digital Mostra Play, e nos streamings do Sesc e da SPCine. T\u00cdTULO BR ORIGINAL DIRE\u00c7\u00c3O PA\u00cdS ANO MINUTOS 1 9,75 9,75 Ulu\u00e7 Bayraktar […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-51","post","type-post","status-publish","format-standard","hentry","category-entretenimento"],"_links":{"self":[{"href":"https:\/\/ethevaldo.com.br\/index.php\/wp-json\/wp\/v2\/posts\/51","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ethevaldo.com.br\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ethevaldo.com.br\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ethevaldo.com.br\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/ethevaldo.com.br\/index.php\/wp-json\/wp\/v2\/comments?post=51"}],"version-history":[{"count":0,"href":"https:\/\/ethevaldo.com.br\/index.php\/wp-json\/wp\/v2\/posts\/51\/revisions"}],"wp:attachment":[{"href":"https:\/\/ethevaldo.com.br\/index.php\/wp-json\/wp\/v2\/media?parent=51"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ethevaldo.com.br\/index.php\/wp-json\/wp\/v2\/categories?post=51"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ethevaldo.com.br\/index.php\/wp-json\/wp\/v2\/tags?post=51"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}